God does not PLAY Dice
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[pic https://tophatssquadron.tripod.com/id30.htm]
A Pilot [the Driver is CIA 'Slang' for a Pilot] somehow influences the Script.
Plato's 'Cave' idea has been taken at face value for far too long- He only used the idea of
'forms' [Shadows] to try and instruct His students about 'possibilities' as abstraction as opposed to
'Concrete Realism' -remember Bowies 'Concrete all around or in My Head' ?
FROM 'ALL THE YOUNG DUDES' SONG
The phrase "is there concrete all around or is it in my head?" from the song
"All the Young Dudes" by Mott the Hoople reflects a sense of confusion and introspection about the nature of reality. It suggests that the narrator is grappling with the idea of whether the feelings or experiences they are experiencing are external (concrete) or internal (in their head). This line captures the tension between acknowledging the harsh realities of youth culture and the internal struggle
https://maggioreonbowie.com/lyrics-series-9-from-all-the-young-dudes/
Bowie was trying to apply Plato to Nietzsche and His 'Antichrist' idea
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this, in turn was viewed by Einstein as Semantic 'Chaos' - mere words without meaning
something picked up on by John Lennon [Lyrics to 'I AM THE WALRUS' are intentionally non-sense]
Lennon thought that by 'reversing' these 'Chaos-isms' He would find a way to understand 'the UNIVERSE' in a different light- maybe He did? 'ACROSS THE UNIVERSE' is an LSD Trip in Music
He too believed in nothing-but believed change was possible by doing 'nothing'- which of course
is not a possibility
https://aeon.co/ideas/what-einstein-meant-by-god-does-not-play-dice
NO DICE DUDE. GOD DOESN'T PLAY GAMES-THAT'S INFERING WINNERS AND LOSERS.
OMNIPOTENCE HAS NO EXCLUSIVITY.
IN FACT OMNIPOTENCE AND EXISTENTIALISM ARE THE SAME THING.
'MAN RAY' [EMMANUEL RADNISKY] 'ASHCAN ART' [NYC]'DADA-ISM' ETC AND SURREALISM IN GENERAL ARE OF INTEREST TO JUNGIAN STUDENTS. OBVIOUSLY I'M NOT A PHOTOGRAPHER.
YOUR ROLL[ROLE]..JEWISH 'FORMER'COMMUNIST OPPENHEIMER LOL!YES OPPENHEIMER SPOKE DUTCH...BUT NOT YIDDISH? YEAH RIGHT..BOY THAT 'ATOM BOMB' WAS A BOON ...REMEMBER NOW -GOLEMS ALWAYS DESTROY THEIR 'CREATORS'...DUDE...IN KOREA OR ANY OTHER PLACE JERUSALEM ETC
HOW DO YOU BECOME A 'FORMER' COMMUNIST?- YOU DON'T YOU CAN NOT CHANGE WHAT YOU HAVE MADE YOUR SELF INTO
BIKINI ? [BUNNY] SURFER DUDE? LOL!-THE PACIFIC OCEAN -VERY 'NUCLEAR'
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CALMING THE STORM...
The bird of heaven, the eagle, St John’s bird, the Red Indian bird, the American, goes down with the ship, nailed by Tashtego’s hammer, the hammer of the American Indian. The eagle of the spirit. Sunk!
Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed; and the great shroud of the sea rolled on as it rolled five thousand years ago.
https://www.berfrois.com/2018/08/d-h-lawrence-on-moby-dick/
6.1 Ethics and understanding
There are a number of connections that Schopenhauer explicitly (but more often inexplicitly) drew between aesthetic experience and both his ethics of compassion and salvation.
In a strange but revelatory passage at the end of section 35 of Book III, Schopenhauer puts these words into the mouth of the ‘spirit of the earth’ [der Erdgeist]:
True loss is just as impossible as true gain in this world of appearance. Only the will exists: it, the thing in itself, is the source of all those appearances. Its self-knowledge and its consequent decision to affirm or to negate is the only event in itself. (WWR I, 207)
If one interprets this passage as espousing the view that the only really free choice an individual has is to affirm or negate the will to live after one has gained self-knowledge, then one can see a great ethical significance for art and aesthetic experience in its cognitive dimension in this thought, for it is only by way of aesthetic experience that one gains intuitive knowledge of the Ideas, or, in the case of music, of the nature of the will itself.
Music especially involves feeling universal emotions, emotions shorn of particular context, motive or individual.
In so far as we feel connected to all others on the level of feeling, then music has a direct connection with Schopenhauer’s ethics of compassion, for the feeling that we are indeed not ultimately separate individuals but are rather unified in the in-itself of the world constitutes the basic intuitive knowledge at the root of the ethical attitude of compassion.
Since aesthetic experience is the only way to gain true understanding of the world and existence in all its multiplicity, this means that aesthetic experience is a necessary pre-condition for making the ethical choice as outlined in the quote above, to affirm or deny the will, the “only event in itself”. Thus the unique cognitive significance of art and aesthetic experience in general turns out to have crucial ethical importance.
https://plato.stanford.edu/entries/schopenhauer-aesthetics/
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